Showing posts with label library. Show all posts
Showing posts with label library. Show all posts

Thursday, January 26, 2012

My Library: Alden's American Revolution

Three books in and we've already hit something on my wall of shame. My library includes a few non-fiction books and some of them I didn't buy for a college class, but for some light reading. Here's a tip: don't let me loose in a museum gift shop without also giving me a sharply defined spending limit. I spent more than $100 on books when I went to DC. I learned a lot about cats and pre-Columbian American history. And dinosaurs. And recreational math.



Anyway, I've actually had John Alden's A History of the American Revolution for almost a decade now and I've never been able to pick it back up. I consider that I put it down for a very good reason. I did a little digging on the book and the author before I wrote this (I didn't want to try reading it without a bit more info) and, in retrospect, I should have guessed it wouldn't exactly be my cuppa. Dr. Alden died in 1991 at the age of 83, which should tell you something about the book. To confirm any suspicions you might have, the book was published in 1969. To put it bluntly, it's dated.

As you might expect from a man who lived through two world wars, Dr. Alden was something of an antiquated antiquarian. He's not charitable to non-caucasians (calling Native Americans "savages" is so pre-King). I'd guess he'd harbor similar sentiments for non-Christians. I know for a fact he wasn't charitable to the British. I suspect that, like many, Dr. Alden made the loving of his country like unto a secular religion. Perhaps, like many, it wasn't all that secular.

It takes a great deal to make me put down a book. I may scoff and roll my eyes and frequently shout, "Oh for the LOVE OF SHIT.", but I'll keep reading. In high school I read a book by a Velikovskyite that I disdained from start to finish. Velikovsky believed that all myths could and should be explained as the result of astronomical phenomena. Fair enough, but his proposed phenomena were horse shit and betrayed a fundamental ignorance of physics, astronomy, biology, and geology. When a 14 year old can explain and provide documented evidence for why your Earth-as-a-moon-of-Saturn hypothesis is nonsense, your theory is crap from start to finish. Nevertheless, I sat through all of 2012 and I read that book.

But it seems I hold non-fiction to a higher standard. I put down Alden's book after 88 pages, because this is what I encountered on the 88th page.

The British aristocracy produced some extraordinary men in the eighteenth century, but none more remarkable than Charles Townshend. ... He was much admired as a speaker in the House of Commons. He was a tall, heavy man with a loud voice, a modicum of wit, a gift for mimicry, and a penchant for abusing all and sundry, whether friend or foe. He was famous for his effrontery. In an age when British politicians were constantly inconstant, he shifted his allegiances so swiftly that he was noted for his fickleness. Behind a façade of health and vigor he was both physically feeble and psychopathic.

Emphasis mine.

I have no doubt that politicians in the late eighteenth century were venal as a rule, short-sighted and ignorant, and frightfully barbaric in their morality (by today's standards), but Alden seems to have been hell bent on portraying the British as actively villainous and disposed not merely to wrest profit from the colonies but to positively grind them into the dirt. I'm certain that the boorish, provincial, classist, racist, half-educated barbarians that populated the British Parliament were no paragons and that they would have felt the colonies to have been at best a distant second to the home Isles in concern, but, even in the sixties, psychopath was a clinical term. Townshend may have been an asshole, with documentation to back up that assertion, but to step from there to an accusation of psychopathy was enough to make me put the book down and is still enough to dissuade me from picking it back up.

I may do so at some point and try to work my way through it. Apparently Alden has a clear style that is quite informative and easy to follow, but I don't know if I really want to try and learn my history from racist grandpa.

Next: Walter Alvarez's T. rex and the Crater of Doom. What a kwinky dink! This is one of the museum books I was talking about up top.

Monday, January 23, 2012

My Library: HGTTG

I don't know when I first read Douglas Adams's The Hitchhiker's Guide to the Galaxy. I know I was fairly young and unschooled in the ways of Britishisms. There was definitely a time when I was far too young to have read it; in elementary school I know I read things that were ahead of my grade level, but Douglas Adams would be a bit much even for a precocious fifth grader. I suspect it was some time during middle school, when I lived in Pennsylvania, that I shared my experience of Douglas Adams's books (not just the Hitchhiker series, but also Dirk Gently) with my brother Caleb and my friend Doug.



While I don't know when I first read Adams, I do know that I've never lived in a home without his books (that I can recall). My older brothers all enjoyed Adams, so my parents' large library had HGTTG and Dirk Gently. Most of it, anyway. At some point I ended up with the entire collection (minus Salmon of Doubt, plus "Young Zaphod Plays it Safe") in a single book. It's one of those purchases I absolutely positively do not regret making.

What is it about Douglas Adams I enjoy? I think it's that he always brought an outsider's perspective to what he was writing. For example, in discussing teleportation,

It’s unpleasantly like being drunk.
‘What’s so unpleasant about being drunk?’
‘You ask a glass of water.’

I'm going to admit that the first time I read that, I had to go ask what it meant. His comparison of human and dolphin accomplishments, his opening discussion of why consumerism is a fairly stupid way to look for happiness, heck, almost any analogy you care to name. Each description, comparison, analogy, bit of humor just screams with a dark, gentle, twisted humor. Yes, I meant to combine those three adjectives.

Adams doesn't write hard sci-fi; like Doctor Who, it's more like science fantasy. He's willing to toss in whatever pseudoscience jargon he wants. Ordinarily that sort of thing irritates me, but he really makes it work, mostly because he never really tries to use it to explain anything, to justify anything, nor to advance the plot. Mostly it's just kookiness. I dig it.

Of course Adams isn't going to be for everyone. He was a radical atheist (his words, so no one would confuse him with an agnostic) and environmental activist. His irreverence and passion can border on the scathing. He also loved technology. Especially Macs. Of course, that was before Macs were beloved by all. In other words, he was a hipster before being a hipster was a thing.

Things Adams has written:

  • The Hitchhiker's Guide to the Galaxy
  • Dirk Gently's Holistic Detective Agency
  • Doctor Who

I'll cover Doctor Who when I get to the TV stuff. I can't wait.

Next up: A History of the American Revolution, by John R. Alden

Sunday, January 22, 2012

My Library: Dangerous Days

I have an extensive library and I'd like to share it with the world. I could simply catalog all the books, movies, music, and games I own, but I might as well share my thoughts on them, too. I've read, watched, or played very nearly all of them (one or two just sucked), and some of them I read, reread, and rereread as the mood strikes me. So, from end to end, one book/movie/album/series at a time, I'm going to go through them, describe them, and what I like about them. You'll probably notice that I'm going through them in alphabetical (by author) order; that's how I have my library set up. First up, Dangerous Days by Pete Abrams.



Pete Abrams is the author and artist of Sluggy Freelance, a webcomic with fourteen years of archives. Dangerous Days is a collection of comics from the middle of May to the middle of December, 2002. Not entirely coincidentally, this is also roughly the time I discovered and began following the comic. As with a number of my favorite authors and artists, I discovered Sluggy in college. A decade later, Sluggy is still going strong and I'm still following it. Sluggy is one of the older comics on the web, and its archive is daunting. It has followed a daily update schedule (with the occasional very rare vacation) since August of 1997. That is, of this writing, 5,262 days, or 5,262 comics. On weekdays, this is a three panel format such as you'd find in the paper; Sundays a full-color, many-panel comic, also as in the paper; and Saturdays a three panel comic.

This format has varied somewhat over the years. Maintaining a daily update schedule is daunting for any artist, and Abrams has changed how he updates. For a time, in order to have some respite, he gave Saturdays over to guest artists/authors, such as Clay Yount of Rob and Elliot. These days, he's freed his weekends up by posting sketches, rough drawings, a one-panel non-canon one-off, that sort of thing. I don't know about anyone else, but I don't begrudge him these, seeing as he has a family. Also, what he gives us during the week more than makes up for it, since his art and writing has matured with 15 years of work and feedback. What he provides during the week is no longer a three-panel, gag-a-day comic, but a full page, lushly drawn, meticulously thought out story (sometimes hints and musings have been provided more than a decade in advance, completely missed even by his most rabid, imaginative, equally meticulous fans).

Sluggy began as a short-arc comic, having fun with various nerdy story types; typically affectionate parodies, such as the early sc- fi adventure, which parodied Star Trek, dimension travel, Alien and others while also expanding the cast. Over time, as seems inevitable on the internets, the comic became darker and more serious, exploring character growth, tragedy, melodrama, and all sorts of crap. Some fans lament the loss of the zany days of bikini suicide Frisbee , but others appreciating the deeper, more complex stories. Can't please 'em all.

Dangerous Days, named after one of the story arcs contained within, is a good example of all this, containing two horror parodies, a Harry Potter parody, and an arc which deals with a number of betrayals and at least one good character gone evil. Oh, and some zany fun. And ghosts. And an artist obsessed with all things crotch. Seriously. The book also contains a bonus, book-only story to make it more enticing for fans. After all, an artist's gotta eat and that means he's gotta sell.

I certainly don't recommend Dangerous Days for the random reader, any more than I'd recommend the seventh book of Robin Hobbs's Realm of the Elderlings series (eleven so far, with more coming, grouped in self-contained but mutually supporting trilogies), but those 5,262 comics are incredibly daunting to any newcomer. I've gone on an archive binge of sluggy a few times in the past, but not in the last five years, I don't think. If you were to read a week of comics every five minutes (generous for some of the heavier arcs) it would still take you more than twelve hours of reading. Fortunately, there are resources out there to help you with that.

  • Archive Binge: lets you set up an RSS feed to go through comics at a rate of your own choosing
  • Piperka: acts as a tracking tool so you can keep a handle on where you are in a number of webcomics, and binge at your own pace

Set up one of those and read five comics a day and you'll have caught up in about three and a half years. Not bad, eh? I do recommend Sluggy, as it hits all the good highs and lows, and Abrams really has turned into an excellent storyteller and artist; a good archive trawl would be well worth your time. I still follow this comic for a reason, and it's not just because of nostalgia for the glorious days of college. It's because I like it. Next up: Douglas Adams, The Hitchhiker's Guide to the Galaxy